press


THE FINANCIAL TIMES
Rise of the cyber-saleroom
…”Online auctions get talked about a lot, but few…are putting their money where the collective mouthpiece is.”

THE ART NEWSPAPER
Performance art: do you buy it?
…“I feel as if the ‘value’ of performance art is in the ‘you had to be there’ factor,” says the art adviser Liz Parks. “The documentation of a performance presents a somewhat diffused version of the original, in-the-moment electricity.”

THE ART NEWSPAPER
Satellite fairs flock to Frieze New York
…“The volume [of satellite fairs] reflects the aspirational belief that New York is still the center of the art world, day-to-day costs be damned.”

ARTINFO
Second Acts: Why “Rediscovered Artists” Are the Art Market’s New Darlings
…According to Parks, recently there has been a sense, conscious or unconscious, of not wanting to participate in the mania over very young and untested artists. “I think collectors want to see the proof in the pudding first.”

AMERICAN LIFESTYLE MAGAZINE
Breezy and Bright
…The art collection was key in both spaces and really set each home apart from being just another great beach house.

MEETUP ARTS CULTURE AND TECHNOLOGY
Selling Art Online: Is It Working?
…exactly who is buying art online now, how these businesses are adapting to stay competitive, and what needs to happen before the practice of buying art online becomes more widespread.

NORWOOD
Given a Minuscule Ledge
…an exhibition of paintings, drawings and photographs by New York based artists Inka Essenhigh, Natalie Frank, Anna Gaskell, Kysa Johnson, David X. Levine, Kristine Moran, Peter Opheim, William Powhida, Nicolas Rule, and Shinique Smith.

ARTINFO
VIP Art Director Liz Parks Leaves the Company to Return to Art Advising
“There have been a number of interesting opportunities that have arisen over the past year and I just couldn’t continue to pass them up.”

MORGAN LEHMAN GALLERY
We Between the Lines
…Drawing oupon Conceptual Art’s theory that a work of art is not fully created until the analysis of the work supersedes the object itself, We Between the Lines examines text as a work’s primary “subject.”

THE WASSAIC PROJECT
Bestiary
… The visual menagerie created by these works, as well as the others included in the exhibition, acts as a mirror to the society in which we currently live.

THE NEW YORK TIMES
Elevator for Grain, Reinvented for Art
…This summer’s first exhibition in the elevator, “Outside In,” was organized by Sally Zunino, Liz Parks, and Sally Morgan.

THE WASSAIC PROJECT
Outside In
… “Outside-In” explores the inherent tension between nature in its pure, undisturbed state, and the constraints or manipulations put upon it by humans.

SCALLYWAG AND VAGAGOND
Liz Parks- Your personal Art Advocate
…Hailing from a distinguished background as once a director of operations at the eponymous Leo Castelli Art Gallery and art sales media for ‘Art Net,’ Ms. Parks is suddenly at the behest of clientele that came chasing after her and has become lauded as the one of the must go to set when it comes to acquiring art.